#cd da challenge
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Watch "Capital-T Truth." on YouTube
Gerald Williams nostalgia
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Never made it as a wise man
(joel miller x f!reader)
Description: Joel solves your car troubles for free, and you try to return the favor with a homecooked meal. When you accidentally interrupt his jerkoff session, you take a chance and help him out.
Note: y’all are out here answering god’s toughest questions, like what if emotionally unavailable Joel was loved unconditionally? or what if Joel was the Mothman?, and I deeply appreciate that.
However, today, I am here to answer a question that nobody asked– What if Joel was a divorced dad rock kinda guy?
You know, like, listening to Nickelback on an old-school boombox in his garage, or unironically singing Creed on the way to work, or bonding with Ellie over Papa Roach? And also, (inspired by a genius) what if he was a little bit pathetic?
Anyway, I present to you: divorced dad rock dilf, Joel, ta-da! (my humble submission for @hellishjoel‘s hot dilf summer challenge) obvs dedicated to: @auteurdelabre
ao3: read here | masterlist: here | part 2 here | part 3 here
Tags/warnings: AU no outbreak divorced Joel x f!reader, Sarah is not mentioned, but Ellie is your adult coworker, reader is clueless about cars and so am I, gratuitous smut and horny thoughts, implied jorkin’ joel but no witnesses, hand job, fingering, premature ejaculation, touch starved kinda loserish but hot divorced dilf joel, he’s a real tiddy guy in this one and idk why it just happened, pwp, is it a crackfic? maybe, but i meant it wholeheartedly so idk
WC: 4.2k
You pull onto the long driveway, hoping to see Joel’s truck. You forgot to text first to see if he would be around, but he did tell you to come by if you ever needed anything. You mostly just hope he’ll be willing to accept your gift.
Last week, he’d helped you out by fixing your car. He told you what the issue was, but he might as well have been speaking another language when he described it. You had already brought coffee and a plate of cookies to your coworker Ellie to thank her for dragging you to Joel’s to ask for help. Being in a new town was hard enough, but you had no idea how you would handle the price for diagnostics, let alone whatever the repair would’ve cost. You tried to offer Joel the cash you had as a thanks, but he wouldn’t accept it. You tried to argue with him, but Ellie told you it wasn’t worth arguing with him. He wouldn’t budge. Instead, he had offered to change your oil for you, making you feel even more indebted to him.
At first, the most you got out of Ellie for intel on Joel was that he was the one responsible for you having to listen to “One Last Breath” and “Lips of an Angel” at ungodly early hours. Ellie claimed that her music taste was deeply influenced by Joel, and somehow, Ellie is always in charge of the music at work. When you rolled your eyes calling it divorced dad rock, she let it slip that you were right about that.
That explains a lot when you remember the brief time you spent in his house and shop. The house was clean inside but not tidy. Stray beer bottles and travel mugs dotted the counter and coffee table. But the shop had all the Divorced Dad Barbie accessories.
The project car and crates of assorted parts. The beer fridge and the plastic lawn chairs in the corner for bullshitting with whoever stopped by. The boombox on the workbench with the stack of CDs. And the fading calendar from another decade with the naked woman kneeling on the beach.
You hadn’t been able to stop your eyes from darting to her sultry expression and swimsuit model-perfect breasts when Joel had been explaining what he was going to do to your car. You wondered if the heat burning in your cheeks had given you away, but he didn’t notice then. Ellie sure did, though, and she had rolled her eyes at you, noting it had been up so long she even forgot it was there.
Luckily, Ellie didn’t notice your eyes lingering on Joel’s body. You weren’t trying to be a creep, but the way his arm flexed when he opened the hood of your car gave you some feral brand of intrusive thoughts. The ratty band t-shirt and the faded jeans were working for him, too, or at least they were doing something for you. Time slowed when your eyes trailed over his arms and down the muscles of his broad back. He just seemed so… solid. You finally understood what your friends back home meant when they said they wanted to climb a man like a tree. You had jumped a little when Ellie slammed the fridge behind you and shouted at Joel about how he can’t just live in the shop drinking shitty beer and eating beef jerky. She had grabbed your arm to drag you to the house for an iced tea while he worked.
Her comment sparked your idea. You figured Joel must be a utilitarian type. He probably lives on frozen pizzas–or even worse, those Hungry-Man frozen TV dinners–instead of making himself something fresh. Maybe he’s one of those guys who got really into smoking meats instead. Either way, you hope the lasagna you made from scratch and the other tray of cookies will be an acceptable thank you for his help. He can’t refuse it if you already made it, right?
You pull up next to a truck, assuming it’s his, and that he’s home. Before you grab the tray, you pause to check your reflection and adjust your breasts in your white tank top, making sure your cleavage pokes out as temptingly as possible.
You check yourself in the mirror with a look. Why does it matter what you look like? It’s not like you’re trying to fuck your only (almost) friend’s dad, right? Although she calls him by his first name, not Dad, so maybe there’s like a loophole or something if she’s adopted. You think about the calendar model and her perfect tits hanging on the wall over his tools. It can’t hurt to just do a little harmless flirting, right? Maybe you aren’t even his type anyway.
After knocking on the door a couple of times, you frown, wondering if he’s not home. On the way back to your car, with your head hung in defeat, your ears perk up at the sound of something clanging in the shop. Of course!
You skitter back to the front porch to leave your goods by the door and head for the shop to find that divorced DILF–Joel, you mean. It’s sweltering out, and sweat is beading on your chest after only a few minutes in the heat. The closer you get, the more easily you can make out the sound of his little CD player blasting another brooding, raspy ballad sung by a white man with a troubled love life.
The garage door is shut, so you knock on the door on the side of the building. You wait a minute before testing your luck and opening the door yourself. Assessing the shop, you don’t see your man, sorry, Joel, at first glance. The music blasts, and the calendar model gives you the same impish smirk through her false lashes and a layer of dust, but there’s no Joel. The evidence clearly dictates that he’s in here somewhere, as his tools are strung around his project, the lights are on, and a beer with a sweating label sits on the edge of the workbench.
You aren’t trying to be sneaky. You didn’t think to holler and announce your presence over the music. Plus, you didn’t fully get your bearings the last time you were here. Now, you can pick up a few more details as your eyes absorb everything they can about anything that gives you a hint about who this guy is.
The guy that’s been haunting your dreams for a week. Last week, when you walked back to the shop with Ellie to check on your car, you nearly tripped, watching Joel wipe the sweat off his face with the bottom of his shirt. You had just caught a glimpse of the trail of hair disappearing under his jeans, but it was enough to replay in your mind every night as you created your little scenarios to carry you off to sleep.
The scent memory was somehow worse. It was so easy to transport yourself back in time with the thought of the sweaty musk and the grease or oil smeared on his fingers. It shouldn’t turn you on, right?
You remember thinking he seemed so knowledgeable when describing the issue. You had no idea what he was talking about, but his low voice and patience were enough to tell you he could talk you through anything.
You notice a few other details as you enter his sacred space today. The woodworking projects, the band posters, and the pictures with Ellie and other family members tacked to the wall over another workbench.
Still, no Joel, however.
You circle the partially disassembled project truck and see a door to another room. It would be the office if the shop were a professional business. There’s a window along the wall, but instead of a boss watching an employee, it’s you hoping to see that brawny man and his dark curls.
As you step closer, you nearly squeal. There he is. Well, at least, you can see the broad shoulders and back you’ve been picturing above you in bed. You practically skip to the door. It’s already open a crack, and you give it a knock, calling his name as it swings open from the force of your rapping knuckles.
The next moment is a blur.
“Shit, fuck, hold on!” Joel shouts gruffly as he slams the door in your face. But you already heard it. The phony wailing noises that came from the busted speaker on his phone.
You still face the closed door, trying to process the interaction before he wrenches the door back open. He’s breathing rapidly, chest rising and falling, as he looks at you with wide eyes that quickly narrow.
“What are you doing here?” he barks.
Your hands fall to your sides, and you start to step back, ready to turn and run.
He catches your fear and tries to adjust, but you’re faster.
“Sorry,” you mumble as you turn and try to dash away. Joel’s quick, too, though, and he grabs your wrist.
“Hey, wait,” he loosens his grip when you spin back towards him, “I just didn’t hear you comin’. Wasn’t expecting you.”
“Sorry,” you repeat, stuttering as you continue, “I-I just, uh, just wanted to say thanks for your help last week.” You stare at the floor. Unsure why you’re embarrassed, you feel so small after he saw your face and practically shouted at you.
“All right,” he rumbles. You’re too busy staring at the crack in the concrete floor to notice how his eyes are glued to your exposed skin. Or to see the blotchy red flush that crawls up his neck and toward his face.
But your brain starts to catch up. Joel might’ve snapped at you, but you’re the one that caught him in the act. You don’t lift your head, but your eyes trail over his stained and faded jeans until you’re studying his crotch.
Bingo. It’s almost too easy. You can make out the outline of his erection tucked up in his waistband. Even more glaring evidence is the open fly. You wish you had caught what he was watching. How does he like it? What does he search for when he wants to jerk off in the back office on a hot Saturday afternoon?
He clears his throat, and you snap your attention to his face. “Was there somethin’ you needed?” He asks.
“Yes.” You tell him you’ve got a lasagna that should get into a fridge before it reheats in the sun. He follows you toward the front door and into the house, not missing how your hips sway as you lead.
Once the tray is shoved into the fridge, nestled between some takeout containers, he turns to thank you. “You didn’t need to do all that,” he gruffs over the cookies and homemade meal.
You step back to lean against the counter, littered with mail and more coffee cups, and let yourself check him out up close. His faded Creed t-shirt has holes around the neck. He’s got that same sweaty man musk going on, and you wish you knew why that stirred your arousal, but your pussy lacks logic.
“I know, I know,” you reply, “but you really saved my ass with the car, and I wanted to do something for you. You know, some way to pay you back?”
“All right, well, thanks,” he trails off. He doesn’t seem to know what else to say. Maybe you should be on your way already, but he’s not ushering you out the door.
This time, you do catch when his eyes drop to your chest. There’s no way you’re imagining the tension between you as you stand in his kitchen while he stares at your barely clothed tits, right? Fuck it. You’re gonna go for it.
You take a step towards him. “I wasn’t sure if it was really enough,” your voice is soft and tempting, and your sweet perfume wafts towards him like a lust potion. Joel swallows thickly as you approach.
He knows you must’ve put it together, but he tried to delude himself. Maybe you couldn’t hear the theatrical screams of the woman he was watching get railed before he slammed the door in your face. He hopes all you heard was Chad Kroeger’s voice screaming, “This time I'm mistaken
For handin' you a heart worth breakin'” from the stereo.. on the other side of the shop.
“You worked so hard,” you continued with one final step, and now you’re nearly toe-to-toe in front of him. “There has to be something else I could do.” You’re so close to him. He forgets to respond. It takes all his power to keep his eyes on your face.
You have a wild urge to taste the sweat on his neck, but you keep your tongue to yourself. He hasn’t made any move to encourage you, but he hasn’t stopped you yet either, so you figure it’s worth taking a risk.
“Maybe you’ve got a problem I could help you with.” You go for it, reaching your hand out to palm at the bulge in his jeans.
Again, too many things happen at once. Joel snaps out a “What?” in disbelief. His hand circles your wrist tightly. His hips jerk, involuntarily bucking into your palm. Your glossy lips part into an “o” shape at the size of his not-quite-hard cock. And now you’re both locked into this position like statues.
His fingers stay firmly wrapped around your wrist, but he doesn’t pull you away. Your fingers squeeze over his jeans, and your eyes flash wide as you can feel his cock twitch and stiffen at your touch. The touch that rapidly overrides your better judgment, drowning you in want. Your clit twitches itself in response, your nipples strain under your thin tank top, and your eyelids feel heavy immediately.
“What are you doing?” His voice crackles like he hadn’t just used it. You slide your hand to pop the button on his jeans, and he releases your wrist as you flip it to slip your fingers under the waistband of his boxers in search of his cock.
“Let me help,” you say in more of a whispered tone. The searing heat between Joel’s legs makes you salivate. Your fingers graze coarse curls before you acquire your target, wrapping your palm and fingers around his thick shaft. His size has your cunt throbbing in your shorts.
Joel’s eyes are squeezed shut. He looks nearly in pain. You pull your hand back out to let the pool of saliva on your tongue drip into your palm.
“Jesus,” he breathes out, watching your lewd maneuver. “You wanna help?” He repeats your plea in the form of a question, a little dumbfounded. He’s trying to figure out what’s happening right now.
“I do,” you answer in a honeyed voice as you dig your hand back into his pants. He’s unable to respond with words as you swirl your palm over the head of his cock, mixing saliva and precome, but his body eggs you on. He bucks into your fist, and you work quickly, pumping his throbbing length. The slick noises are muffled by the layers of clothing, but the grunts that catch in his throat shoot piping-hot desire straight into your core.
He looks a little desperate, eyes slammed shut again, jaw slack, arms hanging uselessly at his side. And for god knows why, the entire scene pulls a moan from your lips. The sweet sound snaps Joel back to attention. His hands shoot straight to your breasts, cupping them gently to feel them bounce against the motion of your arm wrestling with his jeans to keep stroking his cock.
They’re so close to spilling over your tank top on their own. Joel can’t resist tugging the thin material until they spill over the top. The sight alone nearly has him coming in his pants. But then you moan so loudly when he squeezes them both and pinches at your nipples, and he really can’t stop.
“Fuck, fuck, wait,” he spits out, but it’s too late. His hips jerk erratically, thrusting into your slick fist, and he’s coming. It coats your hand and wrist and makes an absolute mess. You relax your grip when his whole body seems to shudder and gently remove your hand. He tries to choke his groan of frustration before it surfaces, but he immediately pauses his shame spiral when he sees you suck your come-coated fingers one by one.
“God, that’s so fucking hot,” you tell him. At the same time, he’s muttering curses at the sight of you. You’re feeling a little giddy that all it took was your hand and showing your tits to have Joel losing control and spilling his load for you. It has your mouth curling into an impish grin.
He’s got the sight of you half topless in his kitchen, licking your fingers, looking awfully proud of yourself, etching into his memory. Before the blood can return to his brain, he grabs you tightly by the ribs and walks you backward towards the counter. He lifts you onto it and wrenches open your shorts, yanking at them as you lift your hips so he can slide them off of you and drop them onto the kitchen floor.
Yes! Yes! Yes! The horny little goblins in your brain shriek and chant, incited by the rough and impulsive way Joel gropes at you. It’s barbaric, and that delights you.
Sitting on the counter, you give him such perfect access to put his mouth on your breasts that he forgets what he was going to say. He mouths at each of them wetly, his beard tickling you as he’s busy sucking marks into your delicate skin. He sucks and bites at your strained nipples until your loud whines turn into a sharp gasp, and he pulls back.
The heavy-lidded look on your face has him diving back in for more, and you groan and arch into his touch. You rake your fingers into the curls at the back of his neck and tug at him. He grunts and moans into your skin, and it drives you wild. You need to feel him closer.
You grab the worn cotton on his shoulders until he lets you slip the shirt over his head and drop it onto the counter next to you. It gives you the briefest moment to take in the sight of his built chest and shoulders and softer midsection with that trail of hair you had memorized. You need to taste the salt on his skin.
Spreading your legs wider, he slots his hips against yours at the edge of the counter, and you run your tongue along his neck. You slide one of your hands down the smooth golden skin of his shoulder, and the other nestles back in his messy curls as his mouth finds yours.
He tastes like cheap coffee and the peppermint nicotine gum parked above his teeth along the left side of his mouth. You know it’s wrong that you can’t get enough. But you're helpless when he pulls your bottom lip between his teeth, and you mindlessly roll your hips, seeking any relief.
He’s grumbling in your ear about how it seems like you need help now, but you couldn’t care less about the words coming out of his mouth. His deep voice alone could get you off. You let out an uninhibited whine at the thought.
“Jesus Christ,” he pulls back. His head hangs, staring at the floor. He shakes it in what you assume is disbelief. You don’t want to wait for him to think any further. You grab his hand, pulling it between your legs.
“Really, fucking, hot.” You echo your earlier declaration. Doing your best to sound assertive. You figure at least your soaked panties will prove your point.
“Fuck,” he stifles a groan. You’re so wet it coats his fingertips through the thin material. He nudges his fingers into you, over your panties, and you whimper for him. The fabric sticks to you and makes an obscene sound as he toys with you for only seconds. “Oh, you do need my help. Hm?”
You nod, spreading your legs wider for Joel to have access. He scoffs at you, displayed eagerly atop his kitchen counter. “Just desperate for me, aren’t ya?”
You snap your legs back shut with a glare.
“No way,” you press, jabbing a finger into his chest, “you don’t get to laugh at me like I’m a slut for you when you just came in your pants for me.”
His nostrils flare, and blotchy red patches creep up his neck again. You aren’t sure what kind of bear you’ve just, quite literally, poked.
“But you are, aren’t you?” He challenges. “You came all this way in this excuse for a shirt, just for me.”
He wedges his hand back between your closed thighs, and you relax just enough to let him work his way back to your core. Your breathing gives you away when it hitches and stutters as he traces his fingers along the hem of the fabric between your legs. You let your legs fall a little wider apart, and he sinks a finger beneath the hem and right inside of you to the knuckle.
A whiny noise rolls in the back of your throat.
“Shh,” he sinks a second finger inside of you, and your muscles spasm and contract, “that’s better, hmm?” He slowly pulls his fingers almost all the way out and then plunges them back in. He repeats this, and your core tenses as you writhe for him.
“You need more?”
“Yes.”
“Yeah, you do.” He adds a third finger, and the slight stretch makes you hum.
“You just need to be filled up, hm?” He teases you. Awfully confident now for a guy you just caught watching porn on his phone in a grimy back office in the middle of the afternoon.
But your noises and impatient movements spur him on. His sticky cock is filling out his jeans again. He nearly drools at the thought of the wet walls of your cunt, currently wrapped around his fingers, sliding over his cock instead. He knows you want it, too.
“Don’t you?” He asks like you could read his mind.
“Hm?” You hum absently. Empty headed. You’re still taken by the entire pulpy, messy scene.
Reveling in the vulnerability of being spread open on his cluttered counter as you’re both half-dressed and panting in the other’s hot breath. Any semblance of the lightness of your mood is quickly replaced with a blinding need. His fingers work into you, making obscene sounds, and then you add your own fingers. Circling your swollen clit just as he lets you in on his vision.
“You wanna bounce on my lap. Fill this pussy with my cock.”
“Yes,” you hiss as you hover at the edge.
“Yeah, that’s it,” he watches your fingers working deftly over your swollen clit. The encouragement tips you over. Your body jolts erratically as you contract around his fingers, and bright sparks of pleasure course through you.
“Yeah, you’re gonna ride me like fuckin’ champ,” he decides. You pull at his wrist when you start to feel overwhelmed, and he slides his wet fingers over your soft inner thigh. He’s ready to grab you and carry you to the couch when both of your heads snap to attention at the sound of a door slamming in the driveway.
“Shit,” he grumbles, looking for the clock on the stove before he remembers it’s definitely not set to the right time. You move nimbly, shimmying into your shorts, snapping your straps back over your shoulder, and brushing your hair out of your face.
“Hey, wait,” he calls for you, but you’re on the move.
“Let me know when I can pick up the baking dish,” you call over your shoulder. Luckily, Joel’s next guest seemed to know him better. They were off to search the shop first, so you didn’t collide with anyone before you got to your car. Joel stayed locked in the kitchen, catching his breath while you started to pull away. He didn’t see that you stole his dirty Creed shirt off the counter before you skipped out the door.
When you grab it later to wear to bed, a naughty little smile tugs at the corners of your lips. When you pull the worn fabric to your nose to inhale deeply, you wonder if it’s one of those weird pheromone matches or something because you’re sure the sweaty man musk should be wrinkling your nose.
Instead, it makes you think of his big arms and chest filling out the shirt. And how his shoulder and back muscles ripple under his sun-bronzed skin. What they’d look like coated in a sheen of salty sweat as he railed you, bent over his workbench, under the watchful eye of the calendar model and her flirty smize.
The image has you interrupting your own scenarios-before-bed time. Maybe Joel needs a model from this decade. You giggle, bunching up the t-shirt to snap a tasteful shot of some underboob cleavage, with the faded Creed logo on full display.
You send it off with no context, figuring it’s self-explanatory. It’s less than a minute before your phone buzzes, and you feel the intoxicating rush rip through your body before you pick it up to see just the heading on your lockscreen:
Joel
Attachment 1 image
part 2 here | part 3 here
divider by @cyberangel-graphics
Please let me know if you enjoyed or hated this or a secret third thing (???) heheh
#joel miller smut#joel miller x reader#hotdilfsummerchallenge#joel miller#joel miller x you#joel miller fanfiction#fanfic#joel miller au#joel miller fanfic#joel miller fic#joel miller x female reader#joel miller x f!reader#pedro pascal characters#pedro pascal fandom#pedro pascal#pedro pascal fanfiction
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Day 1
How did you first discover the Nibelungenlied
So the first time that I remember stumbling upon it I must have been eight or so, sometime in elementary school. My family was subscribed to the National Geographic Kids Magazine, and in Germany they always came with a CD about a rat called Marvi Hämmer (until they stopped doing those around 2014 I think). They always had the same structure which always included a quiz. One of the first issues of that, that I got was about dragons, so of course one of the questions on that quiz was: “what was the name of the dragon killed by Siegfried?” After that Marvi also went into a bit more detail about the story but not that much.
Anyways after that the Nibelungenlied was just a thing that was around for a while. In school there were always some people that did book reports about it, but I never experienced any of those (they were held in different classes), but the posters of such presentations would always hang on some classroom wall for a while. Our teacher also once gave us a brief plot summary in school but it was nothing too important. And I can’t really remember if this was the case but I think the first stanza of the Nibelungenlied: “Uns ist in alten maeren wunders vil geseit” etc. must have been printed in at least one school book, because when I later read the text for the first time, I immediately went: “Wait I know this. I’ve read this before.”
So when I was about 14 I was gifted a children’s version of the Nibelungenlied written by Auguste Lechner. I say children’s version, but it was really just exactly the Nibelungenlied written in modern German prose with relatively easy language. The people who gifted it to me were family friends who had that sort of: “this is so you can read proper literature instead of your fantasy stuff” attitude about it, which is extremely funny in hindsight. But anyways since then I’ve known the complete plot of the Nibelungenlied without ever really having read it.
Then after 2022 something happened which would later make me read the actual Nibelungenlied for the first time. In the time between when I graduated and when I started my first semester at university one of my hometown’s two amateur theatre groups decided to perform a production of the Nibelungen Mythos. It was called “Das Ding der Nibelungen”, had no relation to Wagner’s “Der Ring der Nibelungen” whatsoever, but was instead a comedy about the Nibelungenlied. It was really really bad, and I’ll get into why in one of the later days of the challenge but it was so bad that after it was over I started ranting to my dad about just how bad it was. It was a really nice conversation and we ended up forming some headcanons together. This was when I realized, maybe for the first time, that I actually like the Nibelungenlied a lot.
Then finally about half a year later, it was during my first semester of university, I went into Augsburgs public library for the first time (because I moved there) and found the Nibelungenlied, original text and modern German translation by Ursula Schulze, just lying there. In plain view on a shelf. So I borrowed it, took it home and then finally read the Nibelungenlied for the first time.
Technically the story doesn’t end there because I later found out that what I read was the manuscript C of the Nibelungenlied instead of the manuscript B which is the most commonly discussed one, an probably the one you’ve read, but I have yet to read that (and also other things), and this is getting way too long anyway, so I think that I’ll just stop here.
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Console Fighting Games of 1995 - Eternal Champions Challenge from the Da...
Eternal Champions Challenge from the Dark Side is the third entry in the Eternal Champions and spin off series of Sega exclusive fighting games. Eternal Champions Challenge from the Dark Side is an enhanced version of the Genesis release and released on the Sega CD in February 1995 in the US.
#90s gaming#90s games#fighting games#eternal champions#eternal champions challenge from the dark side#1995#youtube#sega cd#us#video games
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[ALTADEFINIZIONE!!] Wonka in Streaming-ITA en CB01 Film senza limiti
Ecco Dove Vedere Il Film Wonka (2023) Streaming ITA Gratis Senza Registrazione e in Alta Definizione Ultra HD 4K.Wonka streaming in italiano gratis senza registrazione, Wonka (2023) streaming gratis in altadefinizione.
Dove si può vedere Wonka streaming in italiano gratis?
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Poter guardare Wonka film in streaming gratis senza registrazione e senza scaricare, in italiano e sub ita.
Synopsis :
Quando sua moglie scompare, Derek Fabry è determinato a scoprire cosa è successo. Usando un sensitivo, cerca di comunicare con i morti e apre la porta a un Inferno soprannaturale di cui non sapeva esistesse. Ora deve fare i conti con un occulto erotico mentre cerca di capire cosa è successo a sua moglie.
Sei curioso della trama? Wonka perdonerà le azioni dei giapponesi che lo hanno disturbato? Oppure è possibile che Wonka distrugga tutta l'umanità? Puoi guardare la storia in Megavids.online
Director : Paul King
Writers : Simon FarnabyPaul KingRoald Dahl
Stars : Timothée Chalamet-Olivia Colman-Hugh Grant
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❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being deliveEspejo, espejo by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all consideEspejo, espejo “streaming text”.
❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shaEspejo, espejo among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referEspejo, espejo to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case consideEspejo, espejo “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agree Wonkats with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after Wonka dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argu Wonkat has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
Definition and definition of Film / Film While the players who play a role in the Film are referred to as actors ( Wonka) or actresses (wo Wonka). There is also the term extras that are used as minor characters with few roles in the Film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the Film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action Films. Movies can also be used to deliver certain messages from the Filmmaker. Some industries also use Film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the Film. The Film itself is mostly fictional, though some are based on actual stories or on a true story. There are also docu Wonkataries with original and real images or biographical Films that tell the story of a character. There are many other popular genre Films, from action Films, horror Films, comedy Films, romantic Films, fantasy Films, thriller Films, drama Films, science fiction Films, crime Films, docu Wonkataries and others. This is some information about the definition of Film or Film. The information has been cited from various sources and references. Hope it can be useful.
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thinkin about 'Evil Mode' from 'Among the Others' , my last rom hack
so, after beating sylvie lime yesterday ,it got me thinkin about silly precision platformers and kaizo stuff ... U see , despite me being a Sonic CD-loving freak , i do like to play trial and error crazy platformers , such as N++ and celeste some other games im too lazy to think about right now . i just. like a fun and silly challenge sometimes. However , as i established in me last post , i am a Picky Bitch when it comes to platformers and i tend to prefer the controls and movement of the classic sonic games compared to every other platformer out there . i just Love the unique movement and interactions u have with environment in stuff like Sonic CD ... its something that no other game feels like and is something ive always wanted to see be experimented with in something like a kaizo sort of game .. but it hasnt really been done much before aside from a kaizo sonic rom hack that i thought handled the level design Very Poorly ..
there is also a rom hack named Sonic VR which i Really Really like ... but im probably gonna save that for its own post , teehee !!
Anyways. along with Sonic VR being a Huge Inspiration for me , and also seeing all those crazy kaizo mario hacks over the years , its something i wanted to try making myself for a Long, Long time . and well ... i finally got the chance in 2018, with my rom hack named 'Among the Others'.
so. Among the Others was a rom hack of Sonic 1 that i made. there is a Lot of history behind it that i wont get into for this post , but basically it was supposed to be my final, ambitious rom hack that eventually got cancelled and then i put a wall of text at the very end complaining about the rom hacking community. i then released it to the sonic hacking contest and then left the community .. but a few months before the contest begun, i still had a bunch of free time and the main game was already complete, so i decided to just add a bunch of random extra stuff just because .. and in the end there ended up being a Lot More content for a game that Was Technically unfinished...
one of the thing i added into the game was the secret 'Evil Mode' , something which not many people have played and is what im gonna get into in this post ... click da Read More thingy if u Dare !!!
So , in the level select (which u can just access by using the normal Sonic 1 level select code) , there are 3 evil mode levels in the game. these are basically extra levels based off the normal levels in the game, except these are completely redesigned to be Very Difficult and Evil. i wanted to make a sort of kaizo like thing ,where u have to get past all sorts of Deranged challenges that take advantage of the unique controls and movement of this game (which, btw, in case u dont know, this game has special abilities unique to it that make the movement Very Crazy , Lol !!).
There Is One Big Problem However... and it has to deal with the limitations of Making A Sonic ROM Hack When You Are Just A Dumb Little Creature Who Does Not Understand Assembly Programming.
You See, designing kaizo levels for a sonic rom hack is way more difficult than you may think. there comes a lot of Limitations to making sonic rom hacks that, combined with my limited skill, made making these levels very Annoying and Difficult to Create.
First Off, the game can only handle so many objects on screen. Which, well, i Suppose is fine. after all, im sure that's the case with mario world rom hacks. But In The Case Of A Sonic ROM Hack ... Well . Not only are you limited by having few sprites on screen, but you Also are limited by how many Types of objects can be in a level. You See.. all of the artwork for the objects are loaded in by 'pattern load cues'. each zone in the game has their own table which lists all the artwork thats loaded in ,including the level art and all the art for all the objects . not only was i limited by how Much art could be loaded in a single zone .. but Also i was limited by My Ability To Program. i could Not understand how the pattern load cues worked At All. getting objects from One Zone to work in Another Zone was Nearly Impossible for me ... idont know how to describe this fully. Basically , Most of the time , i could Not bring over another object from another zone Unless it used the same amount of tiles as an object from the current zone .. if that makes sense. idont know. All I Know Is ... I Was Greatly Limited by What objects i could use , and that's on Top of worrying about having too many objects on screen .
But That's Not The End Of It. you also have to worry about objects just. Disappearing in the game. sometimes , an object will just Not Load In and i have No Idea Why. i dont understand how any of it works .. all i know is that i was Unable to fully rely on building the level out of objects ,as id constantly have to worry if an important object would Unload , making progressing in the levels difficult.
because of all this , i was Severely Limited by how i could design the levels and what hazards i could even make . i couldnt even have too many spikes anywhere like a kaizo mario level ... it was very Limiting . and thats not even getting into the Level Chunks . you see, the levels themselves are also built out of Chunks of 128x128 pixels ,which have all the level art and collision. but i was also limited by How Many Chunks a zone could have , and these zones already were using the chunks from the normal levels which already used most of the chunks .... so i couldnt design much unique areas for these levels ...
despite it all , i tried my best to make levels that would be an interesting challenge ... and u know what. i am Kind Of proud of what i managed to accomplish , especially considering all the limitations i had to deal with. there's Definitely a ton of stuff i wish i couldve done with these levels, and theres stuff i probably couldve done better ,but Damn. playing through these dickish levels is kind of fun sometimes. Lol. i tried my best to make these levels use the physics and unique abilities to their fullest potential ... i just wish i coulda done More with em.
something i am pretty proud of that i think No One has done is playing the evil levels in Encore Mode. you see, in the game there is a secret encore mode that can be accessed by entering '81, 82, 80, 80' in the sound test ... and aside from letting you play as Pepsiman it also gives every level entirely different object layouts, along with new palettes and music. The Evil Mode levels in particular were fun to make Even More Evil , with The Core Zone specifically being made to be Actually Deranged , with its palette being Pitch Black and the evil mode level being Longer than the original one . and ,while i was also a bit limited with making these encore versions as i could only edit the object layouts , they were still fun to make and i am pretty proud of Encore Mode as a whole .
anyways. if you want something insane to go through, try the Evil Mode in Among the Others if you wish. you can download the game and its source code on github, if you wish.
anywayz thats all. there is so much about Among the Others ive ought to talk about .,,,, so much about this game that people dont even know about . maybe someday i can share more about it with you all ....
#TreesThinks#Among the Others#sonic#sonic the hedgehog#sonic rom hack#rom hack#rom hacking#game dev#game development#gamedev#indiedev#indie dev#Youtube
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[Gledaj]! Volja sinovljeva (2024) Online sa Prevodom Film Srbija
Volja sinovljeva Film Online sa prevodom, Volja sinovljeva ceo Film, Volja sinovljeva gledaj Online, Volja sinovljeva Film sa prevodom, Volja sinovljeva Film sinhrVolja sinovljevazovano na srpski, Volja sinovljeva srbija [Gledaj]! Volja sinovljeva (2024) Online sa Prevodom Film Srbija
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Volja sinovljeva je epska avantura smeštena u svet posle nuklearne katastrofe.
Volja sinovljeva je epska avantura smeštena u svet posle nuklearne katastrofe. Putujući razrušenom zemljom u potrazi za sestrom, Jovan se zaljubljuje u devojku Anđeliju i uz njenu pomoć dolazi u Grad gde će morati da odabere stranu u odlučujućoj borbi za budućnost civilizacije.
Originalni naslov: Volja sinovljeva Početak prikazivanja: 28.11.2024 Dužina trajanja filma: 2h 28m Dostupne tehnologije i verzije: 2D Glumci: Sergej Trifunović, Žarko Laušević, Jovo Maksić, Petar Benčina, Igor Benčina, Isidora Simijonović, Milica Janevski, Svetozar Cvetković, Nenad Heraković, Marta Bjelica, Ivan Vujić, Stefan Vukić, Lidija Kordić Režiseri: Nemanja Ćeranić Distributor: Art Vista
❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Volja sinovljevawaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiVolja sinovljevang, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fVolja sinovljeva use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not reVolja sinovljevat cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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Early Life:
Birth Name: Demario DeWayne White Jr.
Born: September 22, 1991, in Memphis, Tennessee.
Family: Raised by a single mother; oldest of three siblings.
Childhood: Difficult upbringing with financial struggles, often lacking basic necessities. Despite his mother's efforts to provide and keep them safe, Moneybagg Yo frequently ran away and sought refuge with friends or on the streets.
Education: Attended Mitchell High School, where he earned his stage name "Moneybagg Yo" as a tribute to his "hustler's mentality." Dropped out in the 12th grade due to feeling that school was not financially beneficial and to help provide for his family.
Early Career:
Entrepreneurial Pursuits: Turned to selling drugs to support his family. Began developing a passion for music, inspired by the financial success of peers in the rap industry.
First Single: Released "F U Pay Me" in 2011.
Local Scene: Built a following in the Memphis rap scene, performing and gaining recognition.
Career Highlights: 2011–2013: Early Life and Career
Mixtapes: Released several mixtapes, including Da Block 2 Da Booth in 2012.
Family Influence: His best friend Elo encouraged him to pursue a music career. Elo's death in 2015 prompted Moneybagg Yo to take his career more seriously. Released a tribute CD titled ELO (Everybody Lives On).
2016–2018: Release of Several Mixtapes and Debut Studio Album, Reset
Collaborations: Worked with Yo Gotti on 2 Federal (2016) and YoungBoy Never Broke Again on Fed Baby's (2017).
Interscope Records: Released Federal 3X (2017) under Interscope Records.
Mixtapes and Debut Album: Released Heartless (2017), 2 Heartless (2018), and debut studio album Reset (2018).
2019–2021: 43va Heartless, Time Served, and A Gangsta's Pain
Albums: Released 43va Heartless (2019), Time Served (2020), and A Gangsta's Pain (2021).
Chart Success: Achieved his first number-one album with A Gangsta's Pain, featuring guest artists like Future, Polo G, Lil Durk, and Jhené Aiko.
Hit Singles: "All Dat," "U Played," and "Said Sum."
Personal Life:
Community: Grew up in Walker Homes, a neighborhood known for high crime rates and gang activity.
Life-Threatening Experiences: Survived a shooting incident at a family picnic in 2011, which motivated him to work harder on his music career.
Motivation: Driven by a desire to make a better life for himself and his family, using his challenging experiences to fuel his music.
Notable Quotes:
Character: "I came from the gutter part of Memphis—like the bottom. To just have tunnel vision to get out should really tell you about my character." (2021 interview with Rolling Stone)
Survival: "If someone can make it out of Memphis, they're a soldier and meant to be here." (2021 interview with Rolling Stone)
Moneybagg Yo's journey from a challenging childhood in South Memphis to a successful rap career highlights his resilience and determination to overcome obstacles and provide for his family through music.
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<b>Trump</b> loses bid to dismiss Georgia election case on free speech grounds - CNBC
New Post has been published on https://www.google.com/url?rct=j&sa=t&url=https://www.cnbc.com/2024/04/04/trump-loses-bid-to-dismiss-georgia-election-case-on-free-speech-grounds.html&ct=ga&cd=CAIyGjUzM2UwMTY5ZmFhZTIwMGQ6Y29tOmVuOlVT&usg=AOvVaw10i0D49TNoLZLFwqAgvrfN
Trump loses bid to dismiss Georgia election case on free speech grounds - CNBC
Trump and 14 co-defendants argued that the indictment brought by DA Fani Willis violated their right to challenge Trump’s loss to President Joe …
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Hi Kata, da man von EA gezwungen wird von Origin zu der EA App zuswitchen, wollte ich mal Fragen, ob du das gleiche Problem wie ich hast. Ich wollte die LEpacy Challange wieder anfangen, die du auf deinem 2.0 Channel machst. Wenn ich die Expansionpacks deaktiviere, bzw. den Hacken entferne und ich das Game starte, sind bei mir die EP'S weiterhin im Game aktiv. Hast du das gleiche Problem? LG Nezuko♥
Hi :) Ich habe das Problem nicht, muss aber dazu sagen, dass ich auch nicht die EA App nutze, sondern Sims 3 von CD installiert habe. Für die LEPacy Challenge habe ich die Packs dann mit dem AnyGameStarter deaktiviert.
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Samo ne ti 2023 Ceo film sa Prevodom | Na Hrvatski ii srbija
[Gledaj]! Samo ne ti (2023) Online sa Prevodom Film Srbija
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U komediji Samo ne ti, Bea (Sidni Svini) i Ben (Glen Povel) izgledaju kao savršen par, ali nakon neverovatnog prvog sastanka dogodiće se nešto što će njihovu vatrenu privlačnost pretvoriti u ledenu – sve dok se neočekivano ne nađu zajedno na venčanju u Australiji. Tada rade ono što bi uradile bilo koje dve zrele odrasle osobe - pretvaraju se da su par.
IZVORNO IME: Aynone but you REDITELJ: Vil Gluk ŽANR: Komedija ULOGE: Sidni Svini Glen Povel Aleksandra Šip GaTa Hadli Robinson Mišel Hurd Dermot Mulroni Daren Barnet i Rejčel Grifits GODINA: 2023 DRŽAVA: SAD POČETAK PRIKAZIVANJA: 28.12.2023
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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Samo ne tiwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiSamo ne ting, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fSamo ne ti use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not reSamo ne tit cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
#gledaj#samo ne ti#2023#cijeli film#ceo film#srbija#hrvatski#hrvatska#bespaltno#sa prevodom#online#gledati#gledantje#anyone but you
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[-Gledaj-] Samo ne ti (2023) Ceo Film sa Prevodom Online Srbija
[Gledaj]! Samo ne ti (2023) Online sa Prevodom Film Srbija
Filmovi — Ceo Film Samo ne ti (Anyone but you) Online Sa Prevodom | Gledaj Samo ne ti (Anyone but you) (2023) Film Online Sa Prevodom Preuzmite Full HD
Samo ne ti (Anyone but you) (2023) - Gledaj Online Filmove s Prijevodom, Gledaj film Samo ne ti (Anyone but you) (2023) sa prijevodom, prevodom, online!
📱💻 Gledajte ovde ▷▷ https://max.topstream10.com/sr/1072790/anyone-but-you.html
Kliknite ovdje ► https://max.topstream10.com/sr/1072790/anyone-but-you.html
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SADRŽAJ
U komediji Samo ne ti, Bea (Sidni Svini) i Ben (Glen Povel) izgledaju kao savršen par, ali nakon neverovatnog prvog sastanka dogodiće se nešto što će njihovu vatrenu privlačnost pretvoriti u ledenu – sve dok se neočekivano ne nađu zajedno na venčanju u Australiji. Tada rade ono što bi uradile bilo koje dve zrele odrasle osobe - pretvaraju se da su par.
IZVORNO IME: Aynone but you REDITELJ: Vil Gluk ŽANR: Komedija ULOGE: Sidni Svini Glen Povel Aleksandra Šip GaTa Hadli Robinson Mišel Hurd Dermot Mulroni Daren Barnet i Rejčel Grifits GODINA: 2023 DRŽAVA: SAD POČETAK PRIKAZIVANJA: 28.12.2023
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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Samo ne tiwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiSamo ne ting, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fSamo ne ti use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not reSamo ne tit cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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SADRŽAJ
U komediji Samo ne ti, Bea (Sidni Svini) i Ben (Glen Povel) izgledaju kao savršen par, ali nakon neverovatnog prvog sastanka dogodiće se nešto što će njihovu vatrenu privlačnost pretvoriti u ledenu – sve dok se neočekivano ne nađu zajedno na venčanju u Australiji. Tada rade ono što bi uradile bilo koje dve zrele odrasle osobe - pretvaraju se da su par.
IZVORNO IME: Aynone but you REDITELJ: Vil Gluk ŽANR: Komedija ULOGE: Sidni Svini Glen Povel Aleksandra Šip GaTa Hadli Robinson Mišel Hurd Dermot Mulroni Daren Barnet i Rejčel Grifits GODINA: 2023 DRŽAVA: SAD POČETAK PRIKAZIVANJA: 28.12.2023
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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Samo ne tiwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiSamo ne ting, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fSamo ne ti use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not reSamo ne tit cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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SADRŽAJ
Tokom prve noći na poslu shvata da noćnu smenu neće biti lako preživeti. Glavne uloge u filmu tumače Džoš Hačerson, Elizabet Lejl, Pajper Rubio, Ket Koner Sterling, zajedno sa Meri Stjuart Masterson i Metjuom Lilardom.
Originalni naslov: Five Nights at Freddy's Početak prikazivanja filma: 26.10.2023 Dužina trajanja filma: 110 min Država/Godina: USA/2023 Žanr: horor Glumci: Josh Hutcherson, Matthew Lillard, Elizabeth Lail, Mary Stuart Masterson, Kat Conner Sterling, Piper Rubio
❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Pet noći kod Fredijawaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiPet noći kod Fredijang, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fPet noći kod Fredija use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not rePet noći kod Fredijat cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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[Gledaj]» Bosanski lonac Ceo Film Online Sa Prevodom Srpski
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Senad Bašić glumi Faruka Šegu, neuspješnog bosanskog pisca kojem prijeti deportacija iz Austrije ako ne dokaže da je pridonio austrijskom kulturnom životu. Posljednja mu je prilika kazališna grupa koja može postaviti na scenu njegovu mladenačku dramu.
Originalni naslov: Bosanski Lonac U kinu od: 12.10.2023 Dužina filma: 103 minuta(e) Država/Godina: AUT, BIH, HRV/2023 Žanr: komedija, drama Glumci: Dejan Aćimović, Senad Bašić, Bruna Bebić, Wolfram Berger, Zlatko Burić
❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the Bosanski lonacwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it krequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captiBosanski lonacng, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fBosanski lonac use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent. Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not reBosanski lonact cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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SADRŽAJ FILMA: Moći Kerol Denvers se prepliću sa moćima Kamale Kan i Monike Rambo, pa su primorane da rade zajedno kako bi spasile univerzum.
IZVORNO IME: The Marvels REDITELJ: Nia DaCosta ŽANR: akcija, avantura ULOGE: Brie Larson, Teyonah Parris, Iman Vellani
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❏ Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations.[1] The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][2][3][4][5] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[6][7][8] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][12] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[13]
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[14]
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[15]
❏ GOODS OF SERVICES ❏ Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encomKapetan Marvel 2ses any form of deferred payment.[2] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.
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